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Unsettling Scores: German Film, Music, and Ideology
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"Hillman’s groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing." —Klaus Phillips, Hollins University
Unsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called…