New York Noise: Radical Jewish Music and the Downtown Scene
By Tamar Barzel
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Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation. It is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with …
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Social SciencesMusic, Film & Performing ArtsBookseBooks & NOOKeBook & NOOKHistoryNonfictionMusicAnthropology & ArchaeologyMusic Instruction & EducationMusic - General & MiscellaneousWorld HistoryJewish StudiesWorld MusicSocio-Cultural AnthropologyJewish HistoryJewish History - General & MiscellaneousGeneral & Miscellaneous MusicMusic - History & CriticismEthnomusicologyProductLineNonNavigable