Performance in the Texts of Mallarmé: The Passage from Art to Ritual
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Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.
Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual thr…
Categories
LiteraturePhilosophyNonfictionLiterary CriticismMajor Branches of Philosophical StudyGeneral & Miscellaneous Literary CriticismPoetry - Literary CriticismFrench LiteratureAesthetics & Philosophy of ArtLiterary Criticism - General & MiscellaneousFrench Poetry - Literary CriticismArt & LiteratureAvant-garde - Aesthetics



