The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan and Isolde
By Chafe
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By Chafe
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During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde…
Categories
Music, Film & Performing ArtsPhilosophyNonfictionMusicClassical MusicMusic Theory & CompositionOperaMajor Branches of Philosophical StudyRenaissance & Modern PhilosophyEuropean & American PhilosophyPost-Romantic Classical Music (c. 1860 - c. 1900)Aesthetics & Philosophy of ArtGerman PhilosophyWagner, RichardAesthetics of MusicOpera - General & MiscellaneousGerman OperaMusic Theory & Composition - General & MiscellaneousGeneral Aesthetics & Philosophy of ArtModern Philosophy - General & Miscellaneous19th Century German Philosophy



