Musical Symbolism in the Operas of Debussy and Bartok
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Musical Symbolism in the Operas of Debussy and Bart?k explores the means by which two early 20th century operas - Debussy's Pell?as et M?lisande (1902) and Bart?k's Duke Bluebeard's Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, B?la Bal?zs. The…



