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Musical Design in Sophoclean Theater
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William C. Scott extends concepts set forth in his Goodwin Award-winning Musical Design in Aeschylean Theater (1984) by examining scansion patterns in the odes of the seven surviving Sophoclean tragedies. Analyzing the play as performed-its full expression in words, music, and dance-Scott finds that Sophocles' metrical patterns are not a secondary detail of the plays but a central feature of their musical organization. Just as the playwright enhanced awareness of themes with a series of recurrin…