The Rhetoric of Modernist Fiction: From a New Point of View

Though it has been one of the most influential critical works of the last fifty years, Wayne Booth’s The Rhetoric of Fiction has disappointed many readers in its treatment of modernism. Despite Booth’s astute and influential readings of earlier novels, his system shed little light on the experiments in point of view that characterize many more recent works. Despite a revision some two decades after its first publication, the book continues to strike many readers as outdated in its choices of …