Breaking News

Few poets can alter readers’ orientation as radically as does Ciaran Carson. In Breaking News, this former master of the long line employs two- and three-syllable lines to alter tempo, the time of his narrative, and the distinction between separate wars and eras. The imperial past, which haunts Belfast in its Crimean place-names, its violence, and its scissorblade meeting of different cultures, bleeds into the present. In many of these poems Carson brings into a visual and tactile present of sme…